Exhibitions
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Louise BourgeoisFebruary 26, 2009 – May 17, 2009Hirshhorn
This is the first major survey since 1995 of works by the French-born artist Louise Bourgeois (born 1911).
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Zaida Ben-Yusuf: New York Portrait PhotographerApril 11, 2008 – September 1, 2008Portrait Gallery
Photographer Zaida Ben-Yusuf (1869-1933) was an important figure in the pictorialist photography movement in late 19th and early 20th century New York.
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Directions: Amy Sillman: Third Person SingularMarch 13, 2008 – July 6, 2008Hirshhorn
As part of the Directions series, see works that are intimate, psychological, and full of humor and pathos by New York-based painter Amy Sillman.
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One Life: KATE: A Centennial CelebrationNovember 2, 2007 – September 28, 2008Portrait Gallery
This exhibition is dedicated to Hepburn, who carefully constructed and maintained her own myth through more than 50 years on stage, screen, and television.
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Pretty Women: Freer and the Ideal of Feminine BeautyAugust 13, 2005 – September 17, 2006Freer Gallery of Art
See the major works that Freer acquired during his first 12 years as a collector— images of beautiful women by James McNeill Whistler, Thomas Wilmer Dewing, and Abbott Handerson Thayer.
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Women of Our Time: Photographs from the National Portrait GalleryAugust 22, 2003 – January 2, 2005Portrait Gallery
This wide-ranging survey featured 75 of the most important American women of the 20th century, as seen by many of the finest photographers of our time.
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Directions: Cindy Sherman: Film StillsMarch 15, 1995 – June 25, 1995Hirshhorn
View 69 black-and-white photographs made between 1977 and 1980 that suggest stills from Grade-B, Hitchcock-esque, noir films.
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Elaine Lustig Cohen: Modern Graphic DesignerFebruary 7, 1995 – May 23, 1995Cooper Hewitt
Visit books, stationery, signage, and other works that reveal Cohen's importance in the evolution of design.
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Brushes with the Literary: Portraits by Washington Artist Marcella Comes WinslowAugust 13, 1993 – December 5, 1993Portrait Gallery
Portraits of famous writers give an insider's view of life in the nation's capital in the 1940s-50s when Marcella Comes Winslow's Georgetown home was an informal literary salon.
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