Malvina Hoffman
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Object Details
- Date
- c. 1928
- Artist
- Clara Sipprell, 31 Oct 1885 - 27 Dec 1975
- Sitter
- Malvina Cornell Hoffman, 15 Jun 1885 - 10 Jul 1966
- Exhibition Label
- Born New York City
- Having decided to shift from painting to sculpture, Malvina Hoffman moved to Paris in 1910, and is now known for her numerous public commissions between the First and Second World Wars. In the French capital, she studied with renowned sculptor Auguste Rodin for several years. She then returned to Europe in the 1920s to study with the sculptor Ivan Meštrovic. A version of Hoffman’s sculpture of Meštrovic appears in the background of this photograph by Clara Sipprell.
- Hoffman’s best-known project came in the early 1930s, when the Field Museum of Natural History in Chicago commissioned her to sculpt the series The Races of Mankind. On view at the Field between 1933 and 1969, the life-size bronzes and were seen by millions. Their making and display are now considered a case study in the troubling ways the disciplines of anthropology and museology reinforced nowdiscredited conceptions of racial hierarchy and difference.
- Nacida en la Ciudad de Nueva York
- Tras abandonar la pintura por la escultura, Malvina Hoffman se mudó a París en 1910 y hoy se le conoce por sus numerosas obras de arte público entre las dos guerras mundiales. En la capital francesa estudió varios años con el famoso escultor Auguste Rodin. En la década de 1920 regresó a Europa para estudiar con el escultor Ivan Meštrovic. Al fondo de esta fotografía de Clara Sipprell aparece una versión de la escultura de Meštrovic realizada por Hoffman.
- El proyecto más conocido de Hoffman vino a principios de la década de 1930, cuando el Museo Field de Historia Natural de Chicago le encargó la serie escultórica Las razas de la humanidad. Expuestos en el Museo Field entre 1933 y 1969, los bronces de tamaño natural fueron vistos por millones de personas. Su creación y exposición se consideran ahora un ejemplo de cómo la antropología y la museología reforzaron conceptos de diferencias y jerarquías raciales hoy desacreditados.
- Topic
- Interior
- Art implements
- Costume\Jewelry\Watch
- Artwork\Sculpture\Statue
- Costume\Dress Accessory\Neckwear\Tie\Necktie
- Art implements\Sculpting tool
- Malvina Cornell Hoffman: Female
- Malvina Cornell Hoffman: Visual Arts\Artist\Sculptor
- Malvina Cornell Hoffman: Literature\Writer
- Portrait
- See more items in
- National Portrait Gallery Collection
- Location
- Currently not on view
- Credit Line
- National Portrait Gallery, Smithsonian Institution
- Data Source
- National Portrait Gallery
- Object number
- NPG.81.12
- Type
- Photograph
- Restrictions & Rights
- CC0
- Medium
- Gelatin silver print
- Dimensions
- Image/Sheet: 25.3 × 20.3 cm (9 15/16 × 8")
- Mount: 28.1 × 21.5 cm (11 1/16 × 8 7/16")
- Mat: 55.9 × 40.6 cm (22 × 16")
- Metadata Usage
- CC0
- Record ID
- npg_NPG.81.12