Jennie Ross Cobb around 1945. Oklahoma Historical Society. Story Cherokee Photographer Jennie Ross Cobb Framed Life in Indian Territory (external link)
“Wókaǧe | Create” from the Takes Care of Them series by Dyani White Hawk (Sičáŋǧu Lakota), 2019. Screen print; ink and metal foil on paper. Courtesy of the artist and Highpoint Editions for the National Museum of the American Indian, Smithsonian Institution. Story Artist Dyani White Hawk Honors Women Leaders and Nurturers (external link)
Still image from Ana Mendieta’s Sweating Blood, 1973, single channel, super-8mm film transferred to high-definition digital media, color, silent; 03:18 min., Smithsonian American Art Museum, Museum purchase through the American Women's History Initiative Acquisitions Pool, Administered through the Smithsonian American Women's History Initiative, 2021.38, © The Estate of Ana Mendieta Collection LLC. Courtesy Galerie Lelong & Co. Licensed by Artists Rights Society (ARS), NY Story How Groundbreaking Artist Ana Mendieta Remembered Her Homeland
“You're an Indian?” by Kay WalkingStick (Cherokee Nation), 1995. Lithographed with ink on Arches paper. National Museum of the American Indian, Smithsonian Institution. Gift of the artist, 2016. Podcast Painter Maia Cruz Palileo Explores Artist Kay Walkingstick’s Career in New Podcast (external link)
“Cadastral Shaking (Chicago V1),” by Amanda Williams, 2019. Blind debossment, screen and relief printing on archival paper, framed Edition 2 of 3, with 2 APs. Cooper Hewitt, Smithsonian Design Museum, museum purchase through the American Women’s History Initiative Acquisitions Pool, administered by the Smithsonian American Women’s History Initiative, 2021-26-1. Photo by Tom VanEynde. Story Artist Amanda Williams Reimagines 1930s Chicago in a World without Redlining (external link)
"Rejecting Injustice," "Offering Life," and "Offering Education" by Elizabeth Catlett, 2003. Bronze. National Museum of African American History and Culture. Gift from the Unit Owners Association of the Offices at Terrell Place, a Condominium, Beacon Capital Partners, LLC and AARP. Conservation for these sculptures received Federal support from the Collections Care Initiative Fund, administered by the Smithsonian American Women’s History Initiative and the National Collections Program. © 2020 Catlett Mora Family Trust/Licensed by VAGA at Artists Rights Society (ARS), NY. Story Elizabeth Catlett Showcased Issues Through Her Art (external link)
Debra Moore shaping blown glass, Chrysler Museum of Art Perry Glass studio, Norfolk, VA 2012 Visiting Artist Series. Photo by Echard Wheeler. Story Four Women Dedicated to the Science and Art of Orchids
Close up of Kay WalkingStick, Two Women II. 1973, acrylic on canvas. Smithsonian American Art Museum. Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2021.30.1, © Kay Walkingstick, 2017 Kay WalkingStick and the Indigenous Presence in American Landscape Painting (external link)
Collection Item Sisíthuŋwaŋ Dakhóta artist's Tablecloth National Museum of the American Indian (external link)
