Skip to main content

Pilot Janet Harmon Bragg and Six More Women to Know this Black History Month

Sepia photo of Janet Harmon Bragg wearing flight goggles and a suit

Janet Harmon Bragg in her flight suit by an unidentified photographer, around 1930. Smithsonian Institution Archives, RU 9545, Still image from Video History Interview Session 1 Tape 1.

By Meredith Holmgren of the Center for Folklife and Cultural Heritage, Emily Margolis of the National Air and Space Museum and the Center for Astrophysics | Harvard & Smithsonian, Anya Montiel of the National Museum of the American Indian, Rachel F. Seidman of the Anacostia Community Museum, and Angela Tate of the National Museum of African American History and Culture 

In 1942, Janet Harmon Bragg became the first Black woman to earn a commercial pilot's license. She broke barriers every step of the way. She learned to fly in a class of all men and even bought her own airplane.  

This Black History Month, learn about seven women who shaped American culture. Their achievements are represented across the Smithsonian's collections in art, music, objects, and more. 


Pilot and Nurse Janet Harmon Bragg 

Janet Harmon Bragg had a lifelong fascination with flight. She was born in Griffin, Georgia, in 1907. In her youth, she found inspiration learning how birds fly. She was also inspired by aviation superstar Bessie Coleman. In 1921, Coleman became the first African American woman to earn a pilot's license.   

Bragg attended Spelman College in Atlanta, Georgia. In 1929, she earned a nursing degree from MacVicar Hospital and moved to Rockford, Illinois, to begin her career. 

While working as a nurse, Bragg enrolled in a course in aviation mechanics at the Curtiss-Wright Aeronautical University (CWAU). The course's instructors, Cornelius Coffey and John C. Robinson, were the first Black graduates of CWAU. They offered the course to encourage more Black men to work in aviation. Bragg was the only woman to enroll.  

Image
Signed black and white photo of Janet Bragg sitting outside on a wooden plank. Signature says - To Francis your 'cousin' Janet
Janet Bragg. National Air and Space Museum Archives, Smithsonian Institution. NASM-79-13664.

Her class did not have access to an airplane for flight training. Bragg used her personal savings from her nursing career to buy a plane and pay for fuel and maintenance. Coffey offered flying lessons to Bragg and her classmates in her plane. Still, there were further barriers to flight. Local white airport operators denied access to Black pilots, so Black residents in a suburb of Chicago helped Bragg's class establish their own airfield and hangar.  

Bragg earned her pilot's license in 1934 and became a flight instructor. In 1942, she became the first African American woman to earn a commercial pilot's license. She trained many students throughout her career, some of whom later served in World War II with the Women Airforce Service Pilots (WASP). The WASP administrators used anti-Black admission policies to deny Bragg and other Black pilots she instructed the opportunity to serve.  

Bragg retired from aviation in 1965 with around 2,000 flight hours to her name. She resumed her nursing career, founding and operating two nursing homes before she died in 1993. 

Learn more about Janet Harmon Bragg in the "Chicago Flyer" episode of the National Air and Space Museum's AirSpace podcast.  


More African American Women to Know  

Explore the stories of these six notable performers, artists, activists, businesswomen, and inventors through our collections.  

1. Silent Film Actress Kathryn Boyd 

Image
A black and white lobby card featuring two heart-shaped vignette photos, one of Kathryn Boyd with Lawrence Criner, in a WWI uniform, and one of a Boyd with another man
Lobby card for The Flying Ace produced by Norman Studios, 1926. Collection of the Smithsonian National Museum of African American History and Culture.

In her brief film career, Kathryn Boyd starred in two movies that broke the mold for African American women on screen. A graduate of Fisk University and Oberlin College, Boyd started her career in the Original Lafayette Players, a famed acting troupe. Her success led to roles with Norman Studios, an early African American production company. In The Flying Ace (1926), Boyd played pilot Ruth Sawtelle. Her role paid tribute to groundbreaking aviator Bessie Coleman. In Black Gold (1928)Boyd played a bank president's daughter who helps defeat the villain. At the time, African American women were often offered stereotypical film roles as household servants. Boyd's performances showed audiences intelligent, competent heroes. See materials from her two films from the Smithsonian's National Museum of African American History and Culture. 


2. Basket Maker and Community Organizer Rodslen Brown 

Image
Photo of a woven basket with details including light and dark tan reeds and blue dyed reed
“Lace Moxie Purse” by Rodslen Brown (Cherokee Nation, 1960-2020), 2014. Root runners, flat reed, dye, hide. Collection of the National Museum of the American Indian, Smithsonian Institution. 27/0589.

Born in 1960, Oklahoma artist Rodslen Brown learned to weave from fellow Cherokee basket makers. She went on to win awards for her baskets and advocate for her community. In 2000, she founded Project A Association. A nonprofit organization, it provides art classes, computer skills training, and food to her community. Brown also spoke out for Cherokee Freedmen, descendants of African American people enslaved by members of the Cherokee Nation. She argued that Freedmen deserved to gain citizenship in the Cherokee Nation. Look for her basket in Ancestors Know Who We Arean online exhibition debuting June 2022 from the National Museum of the American Indian. 


3. Dr. Dorothy Ferebee 

Image
Framed drawing of Dr. Dorothy Ferebee wearing a suit and pearls
Portrait of Dorothy Boulding Ferebee, MD, mid-20th century. Mixed media including crayon. Photo by Jim Bellamy. Collection of Anacostia Community Museum, Smithsonian Institution.

Dr. Dorothy Ferebee gained national fame for her advocacy in public health, civil rights, and women's rights. In 1929, Ferebee founded the Southeast Settlement House in Washington, D.C. The organization provided Black families with childcare and children's recreational opportunities. Local white institutions would not offer these services to Black children. Ferebee also opened a private practice in D.C. and taught obstetrics, the medical field focused on pregnancy and childbirth, at Howard University.  

In 1935, she organized the Mississippi Health Project, in which Ferebee and several Black nurses drove South and set up medical clinics out of their cars. Over seven years they treated thousands of sharecroppers, many of whom had never seen a doctor. Ferebee's work was featured in the magazines Reader's Digest and Vogue. She joined First Lady Eleanor Roosevelt at the White House. She became the second president of the National Council of Negro Women. See the building sign from the Southeast Neighborhood House Program Center from the Smithsonian's Anacostia Community Museum. 


4. Businesswoman Annie Malone  

Image
Black and white photo of Annie Malone seated in profile
Photograph of Annie Malone from a souvenir booklet about Poro College Company, 1920–1927. Collection of the Smithsonian National Museum of African American History and Culture.

Annie Turnbo Pope Malone revolutionized the beauty industry in the early 1900s. She is considered one of the first African American women to become a millionaire. When illness forced Malone to leave school, she continued to develop her hairdressing and chemistry skills with her sister. She invented Wonderful Hair Grower and sold it door to door in her hometown in Illinois and then in St. Louis, Missouri. As her sales increased, Malone hired and trained saleswomen. Her trainees included the saleswoman who would become known as Madam C.J. Walker.  

In 1918, Malone established Poro College. For about a decade, tens of thousands of women learned hairdressing and beauty culture. Poro graduates sold their products across the world. Malone used her wealth and business savvy to support African American education and civil rights. The Orphans Home she established in St. Louis still stands today. Learn more about Malone and browse the pages of a souvenir booklet about Poro College Company from the Smithsonian's National Museum of African American History and Culture. 


5. Activist, Musician, and Scholar Bernice Johnson Reagon 

Image
Black and white photo of Bernice Johnson Reagon similing. She wears a sparkly headscarf.
Bernice Johnson Reagon, photographed by Dane A. Penland, 1981. Smithsonian Institution Archives. Record Unit 371 Box 4 Folder January 1982.

Dr. Bernice Johnson Reagon broke ground as a civil rights leader, singer, songwriter, and museum curator. She started her singing career around 1961 during the Albany Movement, which aimed to desegregate Albany, Georgia. During this time, she cofounded the Student Nonviolent Coordinating Committee's Freedom Singers with Cordell Reagon, Rutha Mae Harris, and Charles Neblett. The singers traveled across the U.S. to raise money for, and awareness of, the civil rights movement. In 1973, Reagon founded all-woman acapella group Sweet Honey in the Rock, which focuses its repertoire on Black women's experience and went on to earn several Grammy nominations. In 1974, Reagon became a curator at the Smithsonian's National Museum of American History and directed its Black American Culture program. She also served as a professor of history at American University. Learn more about Reagon and listen to her music from Smithsonian Folkways. 


6. Activist and Nurse Ruth Carol Taylor 

Image
Ruth Carol Taylor wears her flight attendant uniform and holds a miniature plane model in the air
Photo of Ruth Carol Taylor by New York Daily News via Getty Images. 1958.

For a year, nurse Ruth Carol Taylor received rejection letters to her flight attendant applications. Due to racist hiring practices, no United States airline had hired a Black woman for this role. Taylor filed a complaint with the New York State Commission Against Discrimination (SCAD). Years of effort by the New York Urban League and SCAD led Mohawk Airlines to hire Taylor in 1957 and she became the first Black woman flight attendant in the U.S. Since airlines demanded flight attendants remain single, Taylor resigned later that year to get married. Taylor continued her activism as a journalist, author, and co-founder of anti-racist nonprofit Inter-Racial Harmony, Inc. Learn more about flight attendants who fought for equality from the Smithsonian's National Air and Space Museum. 


Related Posts


Meredith Holmgren is the curator of American women's music at the Center for Folklife and Cultural Heritage. Her work tells stories about women and music using sound recordings, multimedia, and material culture from across the Smithsonian. 

Emily A. Margolis is curator of American women's history at the National Air and Space Museum and Smithsonian Astrophysical Observatory. She works to center women in the history of aviation, spaceflight, astronomy, and planetary science through research, exhibits, and programs.  

Anya Montiel (Tohono O'odham and Mexican descent) is a curator in the history and culture department at the Smithsonian's National Museum of the American Indian. Her research examines the intersections of Native American art, global arts and crafts, and Indigenous methodologies.  

Rachel F. Seidman is the curator of women's environmental history at the Anacostia Community Museum. She focuses on researching, collecting, and sharing stories of women's leadership in the environmental justice movement in and around Washington, D.C. 

Angela Tate is the women's history curator at the National Museum of African American History and Culture. Her work tells the story of African American history through the lens of Black women to facilitate conversations about learning histories that sit at the unique intersection of gender and race. 

Back to Top Back to Main Content